Paul McCartney has written with many people down the years. John Lennon, Linda McCartney, Michael Jackson, Eric Stewart, Ryan Tedder but it is his work with Elvis Costello that I am focusing on today. Working with Costello might seem an odd mix, but as has been shown, McCartney does like to bounce ideas off of other people. After 1986 and the disappointing sales (for him) of the ‘Press To Play’ album, he felt like he needed to get his act together for his next LP. He spent a considerable amount of time getting the songs into shape and to help him in doing so, he spent some of it writing with Elvis Costello.
From those writing sessions, fifteen songs were written. The collaboration may well have reinvigorated McCartney, but there were rumours that it was not harmonious. McCartney is said to not have been impressed with Costello’s attitude and work rate. Whatever the reason, it didn’t last with the songs divided up between the two men being released over the next six years on five different albums. However, what if these two had decided to record together and release the material as one album? Well, this could have been the result and there was even enough material to have some B-Sides.
Side A
- My Brave Face – Flowers In The Dirt
- Pads, Paws & Claws – Spike
- The Lovers That Never Were – Off The Ground
- You Want Her Too – Flowers In The Dirt
- Don’t Be Careless Love – Flowers In The Dirt
- So Like Candy – Mighty Like A Rose
Side B
- Shallow Grave – All This Useless Beauty
- Mistress & Maid – Off The Ground
- Veronica – Spike
- Playboy To A Man – Mighty Like A Rose
- That Day Is Done – Flowers In The Dirt
- Back On My Feet – Flowers In The Dirt
B-Sides
- Tommy’s Coming Home – Flowers In The Dirt
- Twenty Fine Fingers – Flowers In The Dirt
- I Don’t Want To Confess – Flowers In The Dirt
Why didn’t this album happen? Well, it could have been down to the tense atmosphere between the two men. Writing and recording demos is different to spending the time putting together an album. Was it because they were on different labels at the time and no agreement could be reached, or was it that the collaboration was never to be anything more than what it turned out to be? They did guest on each others records though.
All of the songs that are on this ‘what-if’ LP were fully realised but the songs that I have thought would have been used for B-Sides did not get past the demo stage. Would they have recorded these properly if the album had actually been made? We will never know.
A few years back, the deluxe edition of McCartney’s ‘Flowers In The Dirt’ album was released and it contained all of the songs he and Costello had written together in demo form. However, for this release, I went with the songs as they were released on the original albums. As for the cover, there aren’t too many pictures of the two men together from that period. I also decided that Costello would have used his real name for this project. Having the two surnames as the name of the album has a certain ring to it. Being as this could have come out in 1989, I have gone for a minimalist sleeve. This was the era when CDs were becoming more popular and artistic sleeves with lots going on in them were going out of fashion.